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That she does so in a film as lavishly photographed and lovingly rendered as Elizabeth almost makes the movie seem too good to be true. So good is Blanchett in Elizabeth that she frequently dwarfs the work of her esteemed supporting cast, which includes Geoffrey Rush, Joseph Fiennes, Christopher Eccleston, Emily Mortimer, Kelly Macdonald, Daniel Craig, and Sir John Gielgud. The actor's work in the film is the very definition of towering, with Blanchett commanding every single second of the film's 124-minute runtime to deliver a performance as bracingly honest as it is densely layered, stoically subtle, and imposingly assured. And if you didn't know Cate Blanchett's name prior to Elizabeth's release, you likely couldn't forget it once you'd seen the film. In case you hadn't figured it out, the biopic in question was Shekar Kapur's aptly titled Elizabeth. It'll also leave you pondering the ins and outs of the term "forget about it" for all eternity. Directed with stayed verve by Mike Newell, and featuring searing performances form Depp, Pacino, and Anne Heche, Donnie Brasco turns the gangster genre on its head by frequently blurring the lines between good and bad, right and wrong, all while delivering a morally complex view of the criminal underworld that will leave you sweaty-palmed and heartbroken in equal measure. But there's nothing typical about this movie. Of Depp's movies throughout the decade, Donnie Brasco stands out as an anomaly, largely because it's such a straightforward turn for the actor.īased on the harrowing true story of FBI agent Joe Pistone (Depp), who infiltrated the mob under the titular alias only to forge a deep personal relationship with his mafia mentor Lefty (Al Pacino), Donnie Brasco really does sound like typical mob movie fare. That's especially true of the actor's impeccably offbeat run of films in the 1990s (featuring cinematic oddities like Edward Scissorhands, Dead Man, and Fear and Loathing in Las Vegas. Just FYI - that comparison doesn't even come close to conveying just how unflinchingly gory, deliriously unhinged, and meticulously executed Event Horizon actually is. Full of ominous, arresting visuals and a relentlessly manic sense of menace, Event Horizon is the film you'd get if spliced together narrative fragments of Hellraiser with Alien. For those who haven't experienced the film, it follows the crew of a deep space rescue vessel whose journey goes beyond bad after answering a distress beacon from a long lost starship freshly returned from a black hole. However you feel about Anderson's dodgy body of work, we can say beyond doubt that Event Horizon is one movie the director got right and then some. And if you've seen much of the director's work pre- and post- Event Horizon, you know those groans aren't entirely unearned. Anderson tends to elicit groans from genre devotees of all ages. Anderson's space-set freak show Event Horizon in the same sentence as those unmitigated masterworks. We freely admit that simplistic synopsis doesn't do justice to the film, but if you haven't seen The Shawshank Redemption, we'd never forgive ourselves for spoiling a second of it for you.įew, however, would mention Paul W.S. But really, we'll tell you that The Shawshank Redemption follows a life-sentence inmate (a never better Morgan Freeman) who forms an unbreakable bond with a wrongfully imprisoned man (Tim Robbins) whose unshakably hopeful spirit changes the lives of both.
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If you've somehow not seen The Shawshank Redemption, we'll assume the rock you live under has another rock on top, because it's been a mainstay on cable TV over the past two decades. While the world has certainly not forgotten about Forrest Gump, we'd venture that The Shawshank Redemption is now viewed by many to be a far superior film. That's not to say The Shawshank Redemption didn't get any love from the Academy though - it was nominated for seven Oscars that year, including Best Picture. So it was that Forrest Gump cleaned up on the '95 awards circuit, with Darabont and crew watching idly from the wings.